Skip to main content

Film Review: "Miss You Already"

Film Review: "Miss You Already" (2015)


There's a scene about midway through Miss You Already in which the best friends played by Toni Collette and Drew Barrymore dance to "Losing My Religion" in the middle of the night, in the rain, in the Yorkshire Moors. In just about any other movie, the moment would feel contrived. But perhaps it's the chemistry between the actors, or perhaps its director Catherine Hardwicke's stylish visuals, but the scene works surprisingly well at portraying a bonding moment between two lifelong friends, despite its gratuitous construction. This is what is odd about Miss You Already; what should be overly formulaic, isn't.


The melodrama, with a script from Morwenna Banks, picks up when Barrymore's Jess gets pregnant and Colette's Milly is diagnosed with breast cancer. Make no mistake: Miss You Already is a "cancer movie," designed to make the audience cry. While there are several drifts into TV-movie territory, Banks' script wisely does not make Milly into a heroic victim. She is selfish, flawed, human. Collette gives a first-rate performance as Milly's
confidence deteriorates with the progression of her disease. Barrymore is endlessly charming in a slightly undercooked role as the sensible Jess. She also performs a vital function, as the film's main source of comedy in a film mostly about cancer. The actresses have great chemistry with each other, and it is entirely believable that these characters have been friends for 30 years based solely on the way Barrymore beams every time Collette makes a crack. 

Dominic Cooper and Paddy Considine are strong as the women's husbands, and Jacqueline Bisset is memorably featured as Milly's actress mother. Hardwicke works through the maudlin clichés with a fast paced approach and breezy soundtrack. For a film as sentimental as this, the authenticity to which friendship, specifically female friendship, is portrayed is a surprise, and a welcome one at that. 


Opened: November 6, 2015
TimScore: 75/100

Comments

Popular posts from this blog

"My Mind Turns Your Life Into Folklore": Why Taylor Swift's "Gold Rush" Is a Song About Songwriting

"My mind turns your life into folklore." That line, from the song "Gold Rush," is the only time the word "folklore" is spoken on either of Taylor Swift's 2020 records, Folklore and Evermore , the latter of which is where the song appears. The presence of the line indicates that "Gold Rush" is a pivotal song not only in Swift's lockdown duology, but in her maturation as a songwriter.  Swift's early albums often drew heavily from her own experiences, with fans and the media scouring her lyrics for clues as to which ex-boyfriend her numerous breakup songs referred. Her tumultuous dating life made as many headlines as her music, in part because it informed so much of the music. The discourse was often ridiculous and reductive, and thankfully, that period of her career is over (Swift has been in a relationship with the actor Joe Alwyn since 2016).  Both of her 2020 albums have their fair share of autobiographical songs, but they also see

The Ten Best Movies and TV Shows of 2021

  No explanations. No apologies. These are the lists and they ARE definitive.  Top Ten Films 10. The Last Duel (Scott) 9. Halloween Kills (Green) 8. No Sudden Move (Soderbergh) 7. Cry Macho (Eastwood) 6. West Side Story (Spielberg)  5. The Dig (Stone) 4. Barb and Star Go to Vista Del Mar (Greenbaum) 3. CODA (Heder) 2. Bergman Island (Hansen-Løve) 1. The Lost Daughter (Gyllenhaal) Top Ten Television Shows 10. Invasion (AppleTV+) 9. Evil (Paramount+) 8. The Real Housewives of Beverly Hills (Bravo) 7. Ghosts (CBS) 6. Maid (Netflix) 5. It's a Sin (Channel 4 in the UK, HBO Max in the US) 4. Couples Therapy (Showtime) 3. Succession (HBO) 2. Mare of Easttown (HBO) 1. The North Water (BBC Two in the UK, AMC+ in the US)

Paramount+ Review and Breakdown

  Paramount+, the rebranded CBS All Access streaming service from ViacomCBS, launched today. It got me thinking about this photograph. Are you familiar with it?  If you aren't, perhaps you're wondering why Tom Cruise is standing next to Charlton Heston who is standing next to Penny Marshall who is standing to Bob Hope who is standing next to Victor Mature who is standing next to *squints* Elizabeth McGovern who is standing next to Robert De Niro. The whole photo is full of weird combinations like that - Shelley Long next to Jimmy Stewart, Molly Ringwald next to Dorothy Lamour, Gregory Peck next to Debra Winger. This photograph was taken in celebration of Paramount's 75th anniversary in 1987. But you're forgiven if you didn't guess that, because who looks at all these people and thinks immediately that what they all have in common was working for Paramount at one point? Certainly not I.  And therein lies the problem with Paramount+'s marketing strategy. Paramoun