Skip to main content

Ranking Every Version of "A Star is Born"


Bradley Cooper's remake of A Star is Born just hit theatres, so I thought it would be a good time to share how I'd rank the many different versions of this story. The story is rooted in a somewhat cynical idea that for every star that is born, one has to die. But perhaps why Hollywood likes it enough to remake it three times is that the older star helps the newer star's career, and that in the end, the newer star pays tribute to the older star by taking his name. It's a story about Hollywood whose darkness is masked as romantic melodrama. With that in my mind, here's my ranking:

NOTE: I did not include What Price Hollywood?, a 1932 film starring Constance Bennett with a very similar premise because it is not credited as official source material on any version. It's pretty good though and definitely worth checking out - it's currently available to stream on FimStruck, as are the '37, '54, and '76 A Star is Borns.

4. A Star is Born (1976)

The only version that I consider anything other than very good is the Barbra Streisand-Kris Kristofferson one. It's too long and neither the personal nor professional drama is at all compelling. Made as an attempt to endear Streisand to a younger, rock-loving audience, it has some good tunes ("Evergreen" is a classic"), but it mostly a mess, despite being a huge box office hit when it was released. Kristofferson's performance is pretty bad, and this is the version with the worst handling of the addiction element. The ending is also changed to leave open the possibility of other interpretations that significantly weakens its impact. It's a wonder Streisand didn't melt under the 57 spotlights pointed at her constantly.

3. A Star is Born (1954)

See the source image
This George Cukor-directed musical version starring Judy Garland and James Mason was the first version I saw, and I loved it. But once I saw the '37 version I realized how bloated this one is. I still liked it a lot, but it just takes all the best parts of the '37 version, adds some filler and a bunch of musical numbers, resulting in what is by far the longest version. Most of the musical numbers are enjoyable, though not enough to justify the runtime. This version was designed to be a comeback for Garland, whose personal troubles had interrupted her career by the early '50s, which is why it's amazing how raw and vulnerable she is in the part. It's possibly her best performance and it's worth seeing it for that alone.

2. A Star is Born (2018)

See the source image

Some will no doubt consider it blasphemous to put this version ahead of '54, and it's true time may change my opinion on this, but right now I think the changes Bradley Cooper makes to the story cause it to be an overall more compelling watch than '54. The movie takes its time explaining what they see in each other at the start of their relationship (unlike '76), and it makes Cooper's character less awful, by making resentment not be at his wife's success, but his fear she's losing her artistic identity. And it doesn't try to pretend it's something original, it incorporates nods to the earlier versions in a way that makes it feel both modern and timeless. 

1. A Star is Born (1937)

See the source image
There's just no improving on perfection. The tightest, most incisive version of this story remains the '37 one starring Janet Gaynor and Fredric March. It goes through all of the melodramatic beats the others do, but in a way that doesn't feel padded-out or self-indulgent. It's biting commentary on the studio system of Hollywood in the '30s, but it's the also funniest version. It includes some classic Dorothy Parker (who contributed to the screenplay) zingers. I really hope people who like the Gaga one go back to watch this one. I've already seen some online comparisons that only discuss Garland, Streisand, and Gaga. When talking A Star is Born, you can't forget the best!

How would YOU rank the different versions of A Star is Born? Put your own rankings or your thoughts on mine in the comments below!

Comments

Popular posts from this blog

Drew Barrymore is Getting a Daytime Talk Show. Here's Why I Hate It

When Hollywood stopped making big screen romantic comedies after the '00s, there was an entire group of actresses who were forced to pivot their careers to something else. Kate Hudson, Sandra Bullock, Cameron Diaz, Jennifer Aniston, Reese, and Drew Barrymore were all members of this group. Today's news that Drew Barrymore's daytime talk show has been picked up and will premiere in fall 2020 has got me thinking about the career choices these actresses have made since the death of their genre. Reese moved into prestige vehicles on the big screen and mainly on the small screen these days. Sandra Bullock appears in far fewer movies than she did fifteen years ago, but when she does pop up it's mostly in prestige fare. Cameron Diaz retired from acting entirely. Kate Hudson, well I already wrote a thing about what Kate Hudson did. Nearly all of these women have started lifestyle brands or companies, following in the footsteps of the Empress of Celebrity Lifestyle Brands, Gwyn…

Disney Review: "Pinocchio" (1940)

"Pinocchio" (1940)

Based on the children's novel "The Adventures of Pinocchio", "Pinocchio" was supposed to be Disney's big follow-up to their big hit "Snow White and the Seven Dwarves". Released in February 1940, and despite positive reviews from critics, the film was a major disappointment at the box office. Maybe this was because the film couldn't open in certain markets because of World War II, or maybe the box office returns just seemed disappointing because the unprecedented success of "Snow White..". Either way, most people wouldn't expect a film that's so well remembered today to have bombed during its initial release. But, thankfully, how "Pinocchio" preformed in 1940 has nothing to do with the quality of the film. The film was everything people expected, and more.


Timmys 2019: The 9th Annual Timmy Television Awards

THE 9TH ANNUAL TIMMYS TELEVISION AWARDSThe Timmys annually honor the best in television from the past season. Here are the nominees from the 2018-19 television season (winners are in bold):

Best Comedy Series:
Dead to Me (Netflix)Schitt's Creek (POP)Santa Clarita Diet (Netflix)The Kids Are Alright (ABC)Fleabag (Amazon Prime)Best Drama Series: Killing Eve (BBC America)Succession (HBO)This Is Us (NBC)Homecoming (Amazon Prime)Good Girls (NBC)Best Actress in a Comedy Series: Phoebe Waller-Bridge - FleabagChristina Applegate - Dead to MeLinda Cardellini - Dead to MeDrew Barrymore - Santa Clarita DietCatherine O'Hara - Schitt's CreekCatherine Zeta Jones - Queen America
Best Actor in a Comedy Series: Timothy Olyphant - Santa Clarita DietMichael Douglas - The Kominsky MethodEugene Levy - Schitt's CreekTed Danson - The Good PlaceWilliam H. Macy - ShamelessBest Supporting Actress in a Comedy Series: Alex Borstein - The Marvelous Mrs. MaiselOlivia Colman - FleabagLaurie Metcalf - The Co…