"Wind River" is a Bleak Crime Story With Thrilling Performances By Jeremy Renner and Elizabeth Olsen: Review
Film Review: Wind River
Ah, the kinds of movies Jeremy Renner and Elizabeth Olsen can make when they aren't busy playing Avengers. Hawkeye and Scarlet Witch have teamed up for another movie, one that is about as far from a superhero movie as I can imagine; a depressing indie set on an impoverished Indian reservation. Wind River is a masterfully written look at a largely overlooked sector of American life that features several powerhouse performances. From the writer of Sicario and Hell or High Water comes another tale about the intersection of poverty and crime in America.

The actors are great. Renner hasn't had a role this good in years. He plays the hunter hardened by tragedy with empathetic gloom. He plays off Olsen nicely, especially in the scene where Renner opens up to Olsen about his past that serves as a powerful reminder of how great both actors are. Also outstanding are Greene as the deadpan policeman, Julia Jones as Lambert's ex-wife and Gil Birmingham as Natalie's grieving father. Birmingham (also great in Hell or High Water) only has two scenes, but they will be the scenes that Wind River is most remembered for. There's also an extended flashback of Natalie and her boyfriend (Jon Bernthal) that is tender and, ultimately, heartbreaking.
Wind River is brutal. It's unrelentingly dark, and that will turn a lot of people off from it. But Sheridan is such a great writer that the bleakness is not without purpose. Although Wind River is very much a crime thriller and easily could have fallen into the generic whodunit model, Sheridan fills the film with pointed statements about the conditions of life for Native Americans and the cycle of injustice. One of the first scenes in the movie features of a wolf menacingly staring down a group of sheep on a ranch. The wolf is then shot dead by a character we come to learn is Lambert. In that scene, we learn everything about we need to know about the world of Wind River.
As tight as the screenplay is, there was still one specific detail that didn't make sense to me. I can't reveal what it is without giving away the whole story, but it bothered me. Some of the music (the score was by Nick Cave and Warren Ellis) felt too heavy in some of the more intimate scenes of the movie. It also has a pretty conventional way of shooting the snowy landscapes. But this is Sheridan's first time directing one of his screenplays and, with time, he will probably become as sharp in those aspects of filmmaking as he is with his screenplays.
What did YOU think of Wind River? Let me know in the comments below! Thanks for reading!
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