Skip to main content

Best of TV 2016

The Ten Best TV Shows of 2016

Here are the best televisions of 2016:

10. Stranger Things (Netflix)


Image result for stranger things winona

 The Netflix series quickly became a pop culture phenomenon when it launched on the streaming site in July. Starring a fantastic Winona Ryder as the mother of a missing child, the series pays homage to numerous sci-fi films from the 1980s. Good writing, smart pacing, and a satisfying level of suspense makes Stranger Things a worthwhile binge whether you get the references or not. 

9. Mozart in the Jungle (Amazon)

The third season of the Amazon comedy about the fictional New York Symphony strikes the perfect balance between smart and silly. Gael Garcia Bernal gives an electric and magnetic performance as Rodrigo, the symphony's charismatic conductor. Part of the action this season shifts to Venice, where Rodrigo is conducting a concert. The story gives a show a bolt of energy and introduces Alessandra, a temperamental opera singer played with an eerie calmness by Monica Bellucci. 


8. BrainDead (CBS)


Image result for braindead cbs

BrainDead came and went over the summer with little fanfare. Although short-lived, this political satire/science fiction hybrid was one of the most unique shows on TV,  seamlessly blending  a multitude of genres. Starring Mary Elizabeth Winstead and Aaron Tveit, the series hypothesized that the current polarization of political parties in government was due to a race of extraterrestrial bugs that replaced the brains of politicians. Odd, topical, and very funny. 


7. Gilmore Girls: A Year in the Life (Netflix)

2016 was capped off by a much-needed return visit to Stars Hollow. Despite being off the air for almost a decade, Amy Sherman-Palladino's world feels as alive and vibrant as ever. Lauren Graham (still wonderful) and Alexis Bledel (still dull) return, as do a plethora of oddball characters from the original series, and a couple of new faces are thrown into the mix. Sutton Foster has a cameo in the third episode that at first seems pointless, until later in the episode when its larger significance becomes clear. I'm glad there were only four, double-length episodes; a quick return visit to get closure after the original series' disappointing final season. The show's time has come and gone, trying to revive it as anything other than a special event would be a mistake. 


6. The Good Place (NBC)

The new series starring Kristen Bell and Ted Danson is the rare comedy to look at grand philosophical concepts and mine them for jokes. The set up is that Eleanor, played by Bell, is a bad person who dies, and somehow ends up in the afterlife designated for good people. The serialized format, another rarity for a network sitcom, allows for the premise to be properly seen through, and a late in the season twist suggests The Good Place has only scratched the surface of its potential. 


5. Search Party (TBS)

Perhaps the year's biggest surprise was Search Party, a mystery-comedy on TBS that stars Alia Shawkat as a woman who becomes obsessed with finding an acquaintance who is missing. Wickedly funny at times, the show can also be quite sad. It's a piercing, brutal look at people in their twenties, and their narcissism, lack of direction, and anxiety. 


4. Veep (HBO)

After five seasons, Veep is still the sharpest comedy on TV.  Julia Louis-Dreyfus, Anna Chlumsky, Sam Richardson, and the rest of the ensemble are as great as ever as the completely inept people running the government. This year especially there are moments that feel more like a documentary than a satire.


3. Mom (CBS)

Even after three and a half seasons, Mom has not shied away from the addiction recovery story one bit. In fact, it has become more about that story, excising the restaurant plot from the first couple of seasons entirely, and regulating the Christy's children to the back burner. Mom is at its best focusing on the group of women led by Christy (Anna Faris) and Bonnie (Allison Janney) and what it is like for them going through their daily lives as addicts. 


2. This Is Us (NBC)


Image result for this is us nbc

The best new show to premiere this fall, This Is Us interweaves the stories of three adult siblings (Chrissy Metz, Justin Hartley, and Sterling K. Brown), and flashbacks to their childhood and the story of their parents (Milo Ventimiglia and Mandy Moore). The flashbacks, depending on the episode, are of when the siblings were infants, when they were eight, when they were teenagers, even before they were born. The technique is brilliantly used to show they effect family has on a person, how it unites us even at the unlikeliest of times. 

1. Bloodline (Netflix)

The first season of Bloodline was great. The second season was one of my favorites seasons of television ever. Shorter, more to the point, more chillingly tense. Gone are the flash-forward sequences relied on too heavily in the first season to create suspense. The drama surrounding the Rayburn family in the Florida Keys just won't go away, but this time the pace is slowed even more, letting the weight of every moment sink in. Linda Cardellini and Norbert Leo Butz's characters are more fleshed out this season, but Kyle Chandler gives an epic performance. He is able to convey everything going through John's mind on his face, so much so that dialogue is hardly necessary at all. If you didn't like the first season of Bloodline, you aren't going to like the second one either, but there is something undeniably commendable about a series achieving its perfect form.

Agree with my choices, or have picks of your own? Leave a comment below!

Comments

  1. Perfect picks, but it looks like I now have to start watching Bloodline! Thank you for giving me more shows to binge. Happy 2017!

    ReplyDelete

Post a Comment

Leave a comment!

Popular posts from this blog

"My Mind Turns Your Life Into Folklore": Why Taylor Swift's "Gold Rush" Is a Song About Songwriting

"My mind turns your life into folklore." That line, from the song "Gold Rush," is the only time the word "folklore" is spoken on either of Taylor Swift's 2020 records, Folklore and Evermore , the latter of which is where the song appears. The presence of the line indicates that "Gold Rush" is a pivotal song not only in Swift's lockdown duology, but in her maturation as a songwriter.  Swift's early albums often drew heavily from her own experiences, with fans and the media scouring her lyrics for clues as to which ex-boyfriend her numerous breakup songs referred. Her tumultuous dating life made as many headlines as her music, in part because it informed so much of the music. The discourse was often ridiculous and reductive, and thankfully, that period of her career is over (Swift has been in a relationship with the actor Joe Alwyn since 2016).  Both of her 2020 albums have their fair share of autobiographical songs, but they also see

A Great Show Rushes to its End: "Mom" Finale Review

It's never easy to end a TV show, especially a long-running, beloved show like Mom . "My Kinda People and the Big To-Do," the last episode of Mom that aired May 13 on CBS, was a good episode. It was maybe even a great episode. But was it a satisfying series conclusion? No, not really. But we're getting ahead of ourselves. Before we talk about what didn't happen in the episode, let's talk about what did happen.  The episode begins at an AA meeting, as many episodes have. The ladies - Bonnie, Tammy, Jill, Marjorie, & Wendy - all share. They're all happy and in good places in their lives, much to the annoyance of newcomer Shannon (played by Melanie Lynskey, independent film mainstay whose sitcom credits include Chuck Lorre's Two and a Half Men ). Bonnie wants to help Shannon, as she had been helped by others when she too was new to the program, and even chases Shannon in the rain when she leaves the meeting. Later in the episode, we see Shannon'

Paramount+ Review and Breakdown

  Paramount+, the rebranded CBS All Access streaming service from ViacomCBS, launched today. It got me thinking about this photograph. Are you familiar with it?  If you aren't, perhaps you're wondering why Tom Cruise is standing next to Charlton Heston who is standing next to Penny Marshall who is standing to Bob Hope who is standing next to Victor Mature who is standing next to *squints* Elizabeth McGovern who is standing next to Robert De Niro. The whole photo is full of weird combinations like that - Shelley Long next to Jimmy Stewart, Molly Ringwald next to Dorothy Lamour, Gregory Peck next to Debra Winger. This photograph was taken in celebration of Paramount's 75th anniversary in 1987. But you're forgiven if you didn't guess that, because who looks at all these people and thinks immediately that what they all have in common was working for Paramount at one point? Certainly not I.  And therein lies the problem with Paramount+'s marketing strategy. Paramoun