Skip to main content

Top Ten Films of 2016

Top Ten Films of 2016

The ten best films of 2016 are...


10. Sully

Clint Eastwood's tense and emotional drama about the 2009 Hudson River plane landing features Tom Hanks' best performance in years. But it's more than just a showcase for one of the country's most beloved actors, it's a complex look at the role of heroes in our society. Read my full review here.



9. Zootopia


2016 was a good year for animated movies. From the sentimentality of Finding Dory, to the anarchic looniness of The Secret Life of Pets, and the breathtaking Moana. But Zootopia stands above the rest for being one of the smartest movies, not just animated, of 2016. The set up is simple: a bunny and a fox team up to solve a mystery, but the filmmakers have created a world so rich in detail, it creates an experience unlike anything else I have seen before. And it boasts a nice message about tolerance in a sleek fun package.


8. Hail, Caesar!

This movie has grown on me since I watched it back in February, partly because two films with similar subjects came out later in the year. These films, Woody Allen's Cafe Society and Warren Beatty's Rules Don't Apply, are so much worse than Hail, Caesar! that it makes you appreciate the Coen's tight vision and focused execution. Whereas Allen's film was aimless and Beatty's an utter mess, this film accomplishes what it sets out to accomplish, the ideas don't get lost in between all the sets and costumes. Read my full review here.


7. Hell or High Water

Director David Mackenzie's modern day Western is a great example of seemingly simple movie with a lot going on under the surface. The story is that two brothers begin robbing banks, but there are deep sociopolitical messages in the script by Taylor Sheridan. Hell or High Water is anchored by three great performances from Chris Pine, Ben Foster, and Jeff Bridges.


6. Deepwater Horizon

Peter Berg's retelling of the 2010 explosion on the Deepwater Horizon oil rig is the rare action movie with a brain. The explosion sequences are intense and thrilling, all the more so because the audience has been given a reason to care about the people affected. The effects and sound make this one of the most well-crafted films of the year, and it features fine performances from Mark Wahlberg, John Malkovich, Gina Rodriguez, Kate Hudson, and, especially, Kurt Russell.


5. Love and Friendship

Whit Stillman's adaptation of Jane Austen's Lady Susan is perhaps the year's best comedy. It's the funniest, most lively film set in the 18th century that I have ever seen. Kate Beckinsale is terrific in what is no doubt her best role to date as the opportunistic Lady Susan, and Tom Bennett is hilarious as Sir James Martin, delivering one of the year's best supporting performances.


4. Manchester by the Sea

In the tradition of films like Ordinary People and Terms of Endearment, Kenneth Lonergan has created a moving, but deeply sad family saga. More than just a tearjerker, Manchester mimics life in the way the sadness is intercut with moments of levity and even humor. It stars Casey Affleck as Lee Chandler, a man who must return to his hometown after the death of his brother to look after his nephew, played by Lucas Hedges. Lee rarely expresses his emotions and it would be so it easy for Affleck to play him as if he had no emotions at all, but he doesn't. Instead, he infuses every motion, every gesture with an aching sorrow. It's one of the very best performances of the year.


3. Allied


It's a shame that this Brad Pitt-Marion Cotillard thriller will be remembered for bombing at the box office, possibly because it opened so shortly after the implosion of Pitt's marriage to Angelina Jolie. In my review, I referred to it as "a dazzling and sumptuous throwback to an earlier era of storytelling" and the cinematography, costumes, and sound are among the best of the year. Read my full review here.


2. La La Land

Once Damien Chazelle's movie musical La La Land gets going, it reaches heights few other movies can. Emma Stone and Ryan Gosling are both terrific as a pair of dreamers who fall in love in Los Angeles. Jazzy, dreamlike, vivid.  Read my full review here.


1. Arrival

I'm usually not the biggest fan of science fiction, but somehow a movie about aliens is my number one movie of the year. Arrival is not only just an incredibly well-made, but also a enigmatic look into humanity and time. More than just about aliens, it has incredibly resonant themes of cross-cultural interactions and the importance of communication. It surpasses so many science fiction films that come and go each year because it not only asks profound questions, it has the audacity to answer them.


Image result for arrival

Agree with my picks, or have some of your own? Leave a comment below!

Comments

Popular posts from this blog

"My Mind Turns Your Life Into Folklore": Why Taylor Swift's "Gold Rush" Is a Song About Songwriting

"My mind turns your life into folklore." That line, from the song "Gold Rush," is the only time the word "folklore" is spoken on either of Taylor Swift's 2020 records, Folklore and Evermore , the latter of which is where the song appears. The presence of the line indicates that "Gold Rush" is a pivotal song not only in Swift's lockdown duology, but in her maturation as a songwriter.  Swift's early albums often drew heavily from her own experiences, with fans and the media scouring her lyrics for clues as to which ex-boyfriend her numerous breakup songs referred. Her tumultuous dating life made as many headlines as her music, in part because it informed so much of the music. The discourse was often ridiculous and reductive, and thankfully, that period of her career is over (Swift has been in a relationship with the actor Joe Alwyn since 2016).  Both of her 2020 albums have their fair share of autobiographical songs, but they also see

The Ten Best Movies and TV Shows of 2021

  No explanations. No apologies. These are the lists and they ARE definitive.  Top Ten Films 10. The Last Duel (Scott) 9. Halloween Kills (Green) 8. No Sudden Move (Soderbergh) 7. Cry Macho (Eastwood) 6. West Side Story (Spielberg)  5. The Dig (Stone) 4. Barb and Star Go to Vista Del Mar (Greenbaum) 3. CODA (Heder) 2. Bergman Island (Hansen-Løve) 1. The Lost Daughter (Gyllenhaal) Top Ten Television Shows 10. Invasion (AppleTV+) 9. Evil (Paramount+) 8. The Real Housewives of Beverly Hills (Bravo) 7. Ghosts (CBS) 6. Maid (Netflix) 5. It's a Sin (Channel 4 in the UK, HBO Max in the US) 4. Couples Therapy (Showtime) 3. Succession (HBO) 2. Mare of Easttown (HBO) 1. The North Water (BBC Two in the UK, AMC+ in the US)

A Great Show Rushes to its End: "Mom" Finale Review

It's never easy to end a TV show, especially a long-running, beloved show like Mom . "My Kinda People and the Big To-Do," the last episode of Mom that aired May 13 on CBS, was a good episode. It was maybe even a great episode. But was it a satisfying series conclusion? No, not really. But we're getting ahead of ourselves. Before we talk about what didn't happen in the episode, let's talk about what did happen.  The episode begins at an AA meeting, as many episodes have. The ladies - Bonnie, Tammy, Jill, Marjorie, & Wendy - all share. They're all happy and in good places in their lives, much to the annoyance of newcomer Shannon (played by Melanie Lynskey, independent film mainstay whose sitcom credits include Chuck Lorre's Two and a Half Men ). Bonnie wants to help Shannon, as she had been helped by others when she too was new to the program, and even chases Shannon in the rain when she leaves the meeting. Later in the episode, we see Shannon'